(To be released May 21st, 2019.)
Bedrock welcomes Amy Feldman in the creation of a portfolio of seven lithographs titled “Loose Truths.” From neutral grounds to fluid and punchy figures, Feldman’s bare bones approach presents a powerful conversation of form and color. In her first lithographic series, the artist delivers her signature gray-on-gray abstract sign system with remarkable advance. Typical of Feldman’s hand, each resulting lithograph comes alive with personality, humor, presence, and stark elegance.
Amy Feldman
Bedrock welcomes Amy Feldman in the debut creation of her elegant portfolio of seven lithographs titled “Loose Truths.” From neutral grounds to fluid and punchy figures, Amy has powerfully continued her conversation between layering and form with her fist works in the medium of lithography. Speaking to her relationship with shades of grey, Feldman further explores her signature abstract sign system, speaking to systems of writing and the transmission of information, often alluding to anthropomorphic explorations. Typical of Feldman’s hand, each resulting lithograph comes alive with personality, humor, presence of form, and stark elegance.
Loose Truths Series, 2019
Bedrock welcomes Amy Feldman in the creation of a portfolio of seven lithographs titled “Loose Truths.” From neutral grounds to fluid and punchy figures, Feldman’s bare bones approach presents a powerful conversation of form and color. In her first lithographic series, the artist delivers her signature gray-on-gray abstract sign system with remarkable advance . Typical of Feldman’s hand, each resulting lithograph comes alive with personality, humor, presence, and stark elegance.
Amy Feldman
Deceptively simple, Amy Feldman’s large acrylic paintings feature loosely geometric motifs set against areas of bare canvas. New York Times critic Roberta Smith once noted “a kind of back-to-basics abstraction characterized by simple forms, not much color and an emphasis on process.” In letting the paint drip where it will, Feldman seeks to retain the casualness of her preliminary sketches, often based on her surroundings, yet she also strives for poise. “I think, the unfinished (or seemingly unfinished) quality in my work feels like it is in a dialogue with the landscape … the forms are carefully articulated yet under-polished,” she explains.